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This week, The Bob’s Burgers Movie is finally streaming on Hulu. However, there are a whole bunch of great new movies where that came from, with new releases from Netflix like the Spanish zombie action film Valley of the Dead and the Italian love drama Under the Amalfi sun.

There are also a lot of new releases on VOD including the Buddhist sci-fi mystery karmalink, the satirical horror thriller American carnagethe psychological thriller neon lightsand much more.

Here are the new movies to watch at home this week.


The Bob’s Burgers Movie

Where to see: Available to stream on Hulu

Tina, Linda, Louise, Gene and Bob Belcher talk to Sergeant Bosco behind a police barrier in The Bob's Burgers Movie.

Image: 20th Century Animation

The Bob’s Burgers Movie follows the Belcher family as they try to salvage what’s left of their summer after a burst water main opens a hole in the ground outside Bob’s Burgers. While Bob and Linda are distracted, the kids embark on an adventure to solve a mystery that could save the restaurant.

From our review:

It’s hard to make any serious complaints about it The Bob’s Burgers Movie, just like it’s hard to find a really bad burger. While every burger fanatic will always have their favorite, it’s rare to find one worth avoiding. Most often the problem is with The Bob’s Burgers Movie it comes down to the only aspect of a quality burger that has nothing to do with taste: the price. A really great burger is affordable. Bob’s burger being broadcast on TV for free, one hell of a deal. Is it good enough to warrant a movie ticket? Yes, of couse. But there’s no reason to splurge if you don’t want to.

Valley of the Dead

Where to see: Available to stream on Netflix

Image: Netflix

The Spanish zombie action film takes place in 1938 Valley of the Dead follows a group of Republican and Francoist forces who must work together to defeat a horde of flesh-eating zombies created by Nazi scientists.

Under the Amalfi sun

Where to see: Available to stream on Netflix

Lorenzo Zurzolo as Vincenzo, Ludovica Martino as Camilla in Under the Amalfi Coast.

Image: Arianna Lanzuisi/Netflix

Beginning a year after the events of 2020 Under the Riccione sun, under the Amalfi sun follows Vincenzo (Lorenzo Zurzolo) and Camilla (Ludovica Martino) as they reunite for a vacation on the beautiful Amalfi Coast.

neon lights

Where to see: Available for $5.99 from Amazon, Apple, and Vudu

Three people are seated at a small round table with a selection of food and decorations in neon lights.

Credit: Red Hill Entertainment/Momentum Pictures

The 2022 horror thriller Neon Lights follows an eccentric tech tycoon (Dana Abraham) who gathers his estranged siblings and their children for a reunion at his remote off-grid estate. When an inexplicable killing spree ensues, he must search deep within himself for answers to save himself and his loved ones.

Diary of a Spy

Where to see: Available to rent for $5.99 from Amazon and Vudu; $4.99 at Apple

Tamara Taylor as Anna in The Spy's Diary.

Image: XYZ Films

Diary of a Spy follows the story of Anna (Tamara Taylor), a disgraced intelligence officer whose latest mission resulted in the deaths of almost her entire team. Anna is offered one last chance at redemption: seduce and recruit Camden (Reece Noi), a tutor with ties to the Saudi royal family.

she will

Where to see: Available for $6.99 from Amazon, Apple, and Vudu

Alice Krige as Veronica Ghent in She Will.

Image: IFC Midnight

Alice Krige (Gretel & Hansel, Star Trek: First Contact) stars in the supernatural horror film she will as Veronica Ghent, an aging movie star who travels with her young nurse, Desi (Kota Eberhardt), to a remote resort in rural Scotland to recover from a double mastectomy. A strange new power begins to awaken within Veronica, giving her the ability to exact revenge on those who have wronged her.

Karmalink

Where to see: Available for $4.99 at Apple; $3.99 vudu

Image: Entertainment for good deeds

It’s set in a futuristic take on Cambodia, the Buddhist sci-fi mystery Karmalink follows a young detective who tries to make the connection between her friend’s mysterious dreams of a lost artifact and a neuroscientist’s ambitions to achieve immortality.

Wrong place

Where to see: Can be rented from Apple and Vudu for $6.99

Bruce Willis as Frank in the wrong place.

Image: Vertical Entertainment

A vengeful meth chef hires his son (Michael Sirow) to hunt down Frank (Bruce Willis), a former small-town police chief, in order to silence him before eyewitnesses can testify against him. Unfortunately for his would-be killers, Frank isn’t going out without a fight.

American carnage

Where to see: Available for $6.99 from Amazon and Apple

A group of teenagers in yellow overalls

Image: Saban Films

After a xenophobic governor issues an executive order to arrest undocumented children, a group of newly incarcerated teenagers are offered an opportunity to have their charges dropped in exchange for caring for the elderly in a fortified facility. With a name like American carnageHowever, you can expect a lot more violence and gore than this initial premise might suggest.

ummah

Where to see: Available to stream on Netflix July 16th

Sandra Oh as Beth holding a lantern outside while an ominous figure in Umma stands behind them.

Photo Credit: Saeed Adyani/Sony Pictures Entertainment

Sandra Oh stars in the 2022 psychological horror film ummah as a mother living on a quiet American farm, dealing with her daughter’s imminent departure for college. When the remains of her estranged mother arrive on her doorstep, they set in motion a chain of events that will unearth painful memories and grisly apparitions from the past that threaten to engulf her and her family.

From our review:

The themes Shim seeks to explore have fueled many notable horror images, most recently including relic, To runand Hereditary. In comparison, ummah seems to work with security on, making the actors look uncomfortable but never really scared. As a horror lead, Oh is particularly static. Rather than venting frustration or fear, engaging with Amanda’s inner monster, or altering her performance in any way, she looks constantly dismayed, conveying all the soul-shattering terror of someone dreading a long bus ride. Stewart does slightly better, especially when working with Odeya Rush as a more socialized girl her age. But the film doesn’t have much imagination when it comes to the effects of her character’s near-total isolation. Chris is pretty much just an even-tempered girl with no cellphone.

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